In this book Jeffrey Alexander develops the view that cultural sociology and “cultural pragmatics” are vital for understanding the structural turbulence and political possibilities of contemporary social life. Central to his approach is a new model of social performance that combines elements from both the theatrical avant-garde and modern social theory. Alexander uses this mod...(展开全部)

In this book Jeffrey Alexander develops the view that cultural sociology and “cultural pragmatics” are vital for understanding the structural turbulence and political possibilities of contemporary social life. Central to his approach is a new model of social performance that combines elements from both the theatrical avant-garde and modern social theory. Alexander uses this mod...(展开全部)

In this book Jeffrey Alexander develops the view that cultural sociology and “cultural pragmatics” are vital for understanding the structural turbulence and political possibilities of contemporary social life. Central to Alexander’s approach is a new model of social performance that combines elements from both the theatrical avant-garde and modern social theory. He uses this mo...(展开全部)

In this book Jeffrey Alexander develops the view that cultural sociology and “cultural pragmatics” are vital for understanding the structural turbulence and political possibilities of contemporary social life. Central to Alexander’s approach is a new model of social performance that combines elements from both the theatrical avant-garde and modern social theory. He uses this mo...(展开全部)

In this book Jeffrey Alexander develops the view that cultural sociology and “cultural pragmatics” are vital for understanding the structural turbulence and political possibilities of contemporary social life. Central to his approach is a new model of social performance that combines elements from both the theatrical avant-garde and modern social theory. Alexander uses this mod...(展开全部)

In this book Jeffrey Alexander develops the view that cultural sociology and “cultural pragmatics” are vital for understanding the structural turbulence and political possibilities of contemporary social life. Central to his approach is a new model of social performance that combines elements from both the theatrical avant-garde and modern social theory. Alexander uses this mod...(展开全部)

【作者简介】 奈杰尔·多德（Nigel Dodd，1965—2022），伦敦政治经济学院社会学系教授，主要研究领域为货币社会学、经济社会学、古典和当代社会思想。主要著作有：The Sociology of Money：Economics, Reason and Contemporary Society（1994），Social Theory and Modernity（1999），The Social Life of Money（2014）。 【译者简介】 陈玉佩，北京大学社会学博士，陕西师范大学哲学学院社会学系讲师。主要研究方向为社会变迁下的劳动、家庭与性别，尤其关注劳动价值的社会建构。

We live in a world of technical systems designed in accordance with technical disciplines and operated by technically trained personnel—a unique social organization that largely determines our way of life. Andrew Feenberg’s theory of social rationality represents both the threats of technocratic modernity and the potential for democratic change.

We live in a world of technical systems designed in accordance with technical disciplines and operated by technically trained personnel—a unique social organization that largely determines our way of life. Andrew Feenberg’s theory of social rationality represents both the threats of technocratic modernity and the potential for democratic change.

Crossley argues that music is a form of social interaction, interwoven in the fabric of society and in constant interplay with its other threads. Musical interactions are often also economic interactions, for example, and sometimes political interactions. They can be forms of identity work, for both individuals and collectives, contributing to the reproduction or bridging of so...(展开全部)